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Alan Tudyk
>AT: the very generous figures at Disney Animation, have convinced themselves I’m a good-luck charm for their movies, which is great. It’s working out really well for me, and it seems to be a mutually beneficial arrangement. This movie has a very small cast, and this was the role that they offered me. I loved voicing him. It was a very interesting challenge because he’s limited to rooster-y, chicken-type noises, and he goes along on the whole adventure. It just becomes, “If that’s how you express yourself, go for it. You’re now under water. Now you’re panicked.” You go through the whole emotional gamut this stupid, stupid bird goes through but express yourself only in this very limited way. It’s a blast.
>Interviewer: How do they lay out what you have to get done in the recording studio?
AT: It’s just like they approach things on every movie I’ve worked on, very much as if it was a live-action movie. The character you’re playing, even though he’s a rooster and is really stupid, you approach it in the same way you would approach Hamlet, which is exactly how I approached it. But they give you the circumstances. “You’re on the boat. You didn’t expect to be here. You just climbed in a boat to maybe sleep. You don’t even know why you climbed in the boat. You’re really that dumb. Every three minutes is a new world to you, so you see that you’re trapped on this boat, and you freak out. Go.”