>>6000653Kinda obvious that all artists project their own singular way of seeing into their lessons
Hampton draws too long necks, Bridgman drew heads too blocky, Vilppu draw bodies too bumpy and Hogarth drew bodies like they're made of rubber.
That shouldn't be a bad thing or sign of a bad material, you just have to consider it before getting too deep into that kind of learning material.
If you want no trail of singularity in the form interpretation just draw directly from a model.
