>>5973938>tombowI like their pseudo-brush pens as far as those go, but bristles are always better, and unlike the sakura version the point isn't fine enough to be a good writing pen, so I gave the ones I tried out to my little brother. My hand control is good enough to write with the tip of a kuretake 50 when I'm not freebasing espresso or gunpowder tea, anyway.
>>5974445I really like this one
https://assets.clip-studio.com/en-us/detail?id=1712975 because it has a similar feel to the aforementioned kuretake brush pen, which is my favourite traditional media drawing tool in my collection (the linked brush can't do drybrush effects though; I use a different brush for that, but it never looks as good digital as it does traditional either way). I tweaked it a bunch though, so it makes smooth lines and stuff. I couldn't get regular g-pen to match the pressure sensitivity so I just made the line quality more similar to a regular g-pen instead. The real GMI brush, especially for drawing (as opposed to painting), is the one that doesn't annoy you or make you uncomfortable to use, so you can forget about your brushes and just focus on drawing. On days where my lines just aren't coming out the way I like, because I'm drowsy, drunk or jittery, I switch to a pencil brush (the basic one that comes with CSP I think) and just layer lines and sharpen them with erasers and keep building them up that way so it's almost more like carving than drawing, like pic related.
>>5974270You're either using a brush with a high-resolution pattern as a tip or your stabilization is way too high (or both). You can also switch the polling from accurate to fast in the settings, which I think makes lines more jittery when you're zoomed out and move the stylus slowly but if you're at 100% zoom I haven't been able to discern any difference from accurate apart from the cursor keeping up with the stylus better, even with taxing brushes.
