>>5120962Thanks, here's the finished lineart for it.
>any thing stick out as a big influence?Oh yeah, big fan of an Italian artist called Alessandro Barbucci growing up. When I was a kid I got a comic excerpt of W.I.T.C.H. when it first came out and I remember being completely obsessed it. I didn't know that artwork with heavy emphasis' on lineart even existed, it was mindblowing, Studying Moebius' (rip) as well actually taught me a lot about line placement.
I would say just look at artists you admire, and rather looking at a piece as a whole, really try to distil exactly what elements it is you like about them, and why, and then try to utilise those elements in your own work. It doesn't mean copy them one-for-one, like I hate the way Barbucci colours (all his good stuff was coloured by Barbara Canepa), but it could be the flow of a piece, its movement, hatching techniques, anatomical styling, line weights, their pen type etc.
