>rebooting SRMTHFGInteresting idea. So that means keeping the monkeys... albeit I would love to turn them into humans or other animals.
https://www.youtube.com/watch?v=nhkwb4jZ9BoThis sort of show thrives off hype through its flashy action to make up for its lack of animation. Exactly like Sonic X, very similar to Megas XLR and especially Marathon shows and 90-2000s shows.
This show was genuinely lacking in the budget department when it came to animation and the choreography was non existent(unlike the Teen Titans).
Some of the designs were good like the Skeleton King's ship, the others like the super robot not so much, neither the lack of butts in this show. Instead I was impressed by the monkey's robot arms+hands, very sleek looking.
Nova and Otto were easily the weakest archetypes in the show, same with their voice+acting, especially Otto which was Winston tier/an extra gun with no character. So it had problems with balancing character importance just like every action-team show.
Speaking of voice acting... I never found Mark Hamill's light voice to be threatening at all.
It had a really weird mix of styles; corny immature attitude about good vs evil, typical millennial smug humour, Star Wars the force/sci fi ideas, plus nightmare fuel ideas and designs worth fleshing out. The latter needs exploring and the first 2 need fixing.
These shows could use a slower pacing, at least 35 minute episodes each to really bring out some emotion. Most of these ADHD action shows ALWAYS lack in the GREAT pacing department, rendering them to mediocrity. Shows which tell an on-going story such as Redwall, Sandokan, Willy Fog and others have the advantage that they do not need to be limited to 1 story 1 episode. They can lend 3-5 episodes to telling 1 cohesive chapter before moving on and thus end up with more room wiggle for emotion and character-driven action as opposed to forced acting, forced feels and the story dictating what the characters do and WHEN they do it.
