>Paper has no input lag, you go as fast as you can, you don't rely on a potato
>paper has perfect alignment of pen to surface. what you see is what you get, no almost.
>You can move to a different paper or still mess with a drying up piece, where in digital you sometimes have to wait for hours for it to execute a process
>working on any decent resolution slows down your potato to a halt
>traditional materials cost a lot less in the longrun. You need a couple thousands of dollars of software, hardware, and external bills when even using expensive mediums will cost you less than half of that in the same amount of time.
>super complicated brushes and tools can't tax real life, but can tax your computer
>not limited to the measly digital colors
>no banding, compression, artifacts etc
>no program crashes
Become a trad chad today
>paper has perfect alignment of pen to surface. what you see is what you get, no almost.
>You can move to a different paper or still mess with a drying up piece, where in digital you sometimes have to wait for hours for it to execute a process
>working on any decent resolution slows down your potato to a halt
>traditional materials cost a lot less in the longrun. You need a couple thousands of dollars of software, hardware, and external bills when even using expensive mediums will cost you less than half of that in the same amount of time.
>super complicated brushes and tools can't tax real life, but can tax your computer
>not limited to the measly digital colors
>no banding, compression, artifacts etc
>no program crashes
Become a trad chad today
