It's the @tfnationltd Lost Light panel, with @jroberts332 and @JLawrence_Art! See the thread below for our panel notes!
It's the @tfnationltd Lost Light panel, with @jroberts332 and @JLawrence_Art! See the thread below for our panel notes!
It's the @tfnationltd Lost Light panel, with @jroberts332 and @JLawrence_Art! See the thread below for our panel notes!
It's the @tfnationltd Lost Light panel, with @jroberts332 and @JLawrence_Art! See the thread below for our panel notes!
Lawrence worked on TMNT before Transformers, Nickelodeon's high level of scrutiny on the scripts made art deadlines tight for him, wasn't where he wanted to be. The last two years on Transformers have been a dream for Lawrence.
Lawrence finished work on Lost Light #25 on Thursday, and was left like a zombie in the aftermath! Had been worried part way through that his work might slip due to the intensity of the schedule, but pushed through as he wanted to compete the full issue himself.
Lawrence finished work on Lost Light #25 on Thursday, and was left like a zombie in the aftermath! Had been worried part way through that his work might slip due to the intensity of the schedule, but pushed through as he wanted to compete the full issue himself.
Lawrence finished work on Lost Light #25 on Thursday, and was left like a zombie in the aftermath! Had been worried part way through that his work might slip due to the intensity of the schedule, but pushed through as he wanted to compete the full issue himself.
"Crucible" essentially concludes in #24, #25 is a "triple-tier" (it'll make sense when we read it) coda story, with 24 pages.
Doesn't feel like the end yet for Roberts - still approval process on #25 to go, and won't feel really over until the public reads it.
Roberts sees the final arc as payoff for long-time readers, lots of reveals deliberately held until this point.
