>>2985950>This sounds like reaching.You try to dig up a single scene from a shitty camrip as "evidence" for your incredibly dumb theory and I'm the one reaching?
The background is red. Red has the least bandwidth allocated for color encoding than other colors, that results in changes in bright white/flesh hands being more pronounced than red.
The camrip is actually at 15fps. The movie is projected at 24fps. The inbetween frames you're talking about is the 24fps and 15fps exposures going in a out of phase which results in the variation in both color and brightness.
On top of that the camrip shows how shitty the dynamic range of the camera, with every cut there is adjustments in color. In fact, the exact next cut of Shinji in the room you see the walls change color from a blue-ish tint to a more warm yellow one, which guess what, is the opposite of what the last cut did and is what the camera sensor does to adjust.
In the end, what you WANT (not what is real) is not on the Blu-ray, which is the definitive version of the film.
You haven't presented any actual records of people form the theater verifying this.
You have absolutely no idea how video recording or encoding works.
It's pretty damn obvious which one of us is reaching. Take your shitty theorizing somewhere else with lower standards like Evageeks.
