youre about 2 go through the most divisive era of the show, that being the second of half of s5 & especially s6 as it builds up momentum. some of this gets real contentious & u might end up despising it desu.
focus real hard on the gems, 11 min esoteric atmospheric fuckin masterpieces hidden among the hour+ dumpster fire of uncool gen x effeminate faggot writers projecting their depression & weird complexes regarding women on to innocent cartoons, and youll be alright
past that, the show peters out into what id consider to be a plateau in terms of quality, shedding off the dumb shit that was going on in the previous 2 seasons but also losing some of the spontaneity, inventiveness, and unique tone
youll probably like it, youve been this far>>97367889
carpet munchers or not these typa people (u can find them not only at cn but also places like williams street, a lot of em draw webcomics for sites like "the nib" or host podcasts) all fit under the same umbrella, its the archetypical old media fucker that says things like "yall" & "folks" & "my dude" & loves being super trendy. take pic related from okko. u think this joke was intended for the target audience, eg kids who get their laffs from spastic youtube e celebs? of course not, it's for the peripheral audience, extremely online twittereddit browsers.
the writer becomes detached from his work, makes it 1-dimensional, once it stops being about making good shit for kids to love & want to buy. im not meaning 2 sperg out over some background easter egg or a badly written comic page, but if u hire people who make dotard owning neckbeard epic wins in twenty seven teen, no wonder the shit they produce is gonna have stilted animation or badly drawn panels or "hehe............ ur a loser...." monologues. they dont understand the spirit of the character, that is to say: the lich wouldnt say that, or really how to write at all, but they have the style and cultural conformity that gets them hired and popular.