>>92973181he is entirely wrong about everything he says because it all stems from HIS shitty definition of a scene. Once you take away his arbitrary "This is a scene" "this is a moment" bullshit his whole argument falls apart.
> how almost everything in BvS is basically fluff designed to move events into the next 'super iconic moment' Snyder desperately wants.The only evidence you have for this is because of his shitty definition of what a moment is vs a scene. Infact id say a great deal of the "KINO" posts prove this is wrong because it shows HOW MUCH detail and care Snyder put into every single shot, especially the ones that WERENT the big iconic moments.
>This is why the film is constantly flicking around between scenes without establishing shots for much of the movie. But it doesnt do that at all! There is an establishing shot of the funeral, establishing shot of metropolis, establishing shot of the water field where they find the kryptonite, an establishing shot of the warehouse where Batman saves the girls, establishing shot of the senate, establishing shot of Africa, etc. I could go on! The only time Snyder doesnt use them is when transitioning into an interior conversation. For example when he cuts to Perry talking to Clark about covering the football game, or cuts to Luthor in his office with Molly Hunter. Its because those are meant to be these intimate moments, conversations that feel as big AS The big moments, so he scales his shots accordingly. A big establishing shot makes a conversation like that feel small. Where as if you establish the scene with a shot of Luthor sitting on his desk or Perry angrily yelling for Clark, you set up the power dynamic AND scale of the scene in a single shot.
>Snyder wants to cram so many of these moments in as possiblehow can you say this? Most of the movie is dedicate to conversations that built up to these things. In fact its one of the slowest paced superhero movies since Unbreakable.