>>125350861He says while posting an awful adaptation of Bane that is a disgrace to the comics. Holy shit do I not like the Nolan movies, or Nolan in General. There's always amazing cinematography but I can't stand the way he mixes, wherein the music and sound effects will be loud and blaring and drown out all the dialogue (Fun fact, I had no idea what Bale's Batman was saying in the Dark Knight after the enhanced interrogation scene, so it completely went over my head that batman was going after Rachel but Joker switched their locations around). It was funny though that, since no one could understand Tom Hardy at test screenings, they mixed his audio waaaay up and he was the only one I could consistently understand in the Dark Knight Rises because his voice sounded like it was booming from all directions. I hate that the characters don't talk to each other as so much as they get into Philosophical discussions/arguments with one and other, or offer exposition. Even the Bank Manager has some philosophical/moral code he imparts between shotgun shells in The Dark Knight.
Also Batman is more of a Rich asshole with anger issues and more money than sense then he is a Detective. I know that Batman uses cool technology to help him reach conclusions, but he at least does SOME investigatory work and speculating and doesn't let the damn machines do it all for him. Also for a supposedly "realistic" movie, that was some fucking asspull with his computer generating a fingerprint based on fragments of a bullet (That I'm not sure he had).
Also, White people here probably don't care when it happens to other races, but there is something infuriating when you take two of the Caped Crusader's most well known and established villains of some color (Middle Eastern for Ras, Latino for Bane) and turn them into the Whitest mother fuckers ever. Like Tom Hardy is so White, his skin reflects light. If you wanted to use Henry Ducard, use Henry Ducard, you dick.
