>american cartoonists, comic artists/writers working for american entertainment companies
>act like political activists or twitter angry mobs. (factually they are.) none of them care about their fans. obsessed with politics, virtue signalling, and critical theory. only cater to twitter trends and circlejerks there.
>american creators, particularly american women, working for japanese entertainment companies like hololive
>act like pure professionals. e.g. hololive vtubers. all of them care very much about their fans and never bring their own ego there. so no controversial/sectarian bullshit there. no politics ofc. not to mention they are all pretty tolerant to fanservice-y stuff. their popularity is actually skyrocketing.
why does this happen? or i mean, this actually proves american creators can still do well and create decent stuff, if they are under japanese entertainment companies?
>act like political activists or twitter angry mobs. (factually they are.) none of them care about their fans. obsessed with politics, virtue signalling, and critical theory. only cater to twitter trends and circlejerks there.
>american creators, particularly american women, working for japanese entertainment companies like hololive
>act like pure professionals. e.g. hololive vtubers. all of them care very much about their fans and never bring their own ego there. so no controversial/sectarian bullshit there. no politics ofc. not to mention they are all pretty tolerant to fanservice-y stuff. their popularity is actually skyrocketing.
why does this happen? or i mean, this actually proves american creators can still do well and create decent stuff, if they are under japanese entertainment companies?
